The Old House
老房子
In the street, up there, was an old, a very old house—it was almost three hundred years old, for that might be known by reading the great beam on which the date of the year was carved: together with t…
In the street, up there, was an old, a very old house—it was almost three hundred years old, for that might be known by reading the great beam on which the date of the year was carved: together with tulips and hop-binds there were whole verses spelled as in former times, and over every window was a distorted face cut out in the beam. The one story stood forward a great way over the other; and directly under the eaves was a leaden spout with a dragon's head; the rain-water should have run out of the mouth, but it ran out of the belly, for there was a hole in the spout.
All the other houses in the street were so new and so neat, with large window panes and smooth walls, one could easily see that they would have nothing to do with the old house: they certainly thought, “How long is that old decayed thing to stand here as a spectacle in the street? And then the projecting windows stand so far out, that no one can see from our windows what happens in that direction! The steps are as broad as those of a palace, and as high as to a church tower. The iron railings look just like the door to an old family vault, and then they have brass tops—that's so stupid!”
On the other side of the street were also new and neat houses, and they thought just as the others did; but at the window opposite the old house there sat a little boy with fresh rosy cheeks and bright beaming eyes: he certainly liked the old house best, and that both in sunshine and moonshine. And when he looked across at the wall where the mortar had fallen out, he could sit and find out there the strangest figures imaginable; exactly as the street had appeared before, with steps, projecting windows, and pointed gables; he could see soldiers with halberds, and spouts where the water ran, like dragons and serpents. That was a house to look at; and there lived an old man, who wore plush breeches; and he had a coat with large brass buttons, and a wig that one could see was a real wig. Every morning there came an old fellow to him who put his rooms in order, and went on errands; otherwise, the old man in the plush breeches was quite alone in the old house. Now and then he came to the window and looked out, and the little boy nodded to him, and the old man nodded again, and so they became acquaintances, and then they were friends, although they had never spoken to each other—but that made no difference. The little boy heard his parents say, “The old man opposite is very well off, but he is so very, very lonely!”
The Sunday following, the little boy took something, and wrapped it up in a piece of paper, went downstairs, and stood in the doorway; and when the man who went on errands came past, he said to him—
“I say, master! will you give this to the old man over the way from me? I have two pewter soldiers—this is one of them, and he shall have it, for I know he is so very, very lonely.”
And the old errand man looked quite pleased, nodded, and took the pewter soldier over to the old house. Afterwards there came a message; it was to ask if the little boy himself had not a wish to come over and pay a visit; and so he got permission of his parents, and then went over to the old house.
And the brass balls on the iron railings shone much brighter than ever; one would have thought they were polished on account of the visit; and it was as if the carved-out trumpeters—for there were trumpeters, who stood in tulips, carved out on the door—blew with all their might, their cheeks appeared so much rounder than before. Yes, they blew—“Trateratra! The little boy comes! Trateratra!”—and then the door opened.
The whole passage was hung with portraits of knights in armor, and ladies in silken gowns; and the armor rattled, and the silken gowns rustled! And then there was a flight of stairs which went a good way upwards, and a little way downwards, and then one came on a balcony which was in a very dilapidated state, sure enough, with large holes and long crevices, but grass grew there and leaves out of them altogether, for the whole balcony outside, the yard, and the walls, were overgrown with so much green stuff, that it looked like a garden; only a balcony. Here stood old flower-pots with faces and asses' ears, and the flowers grew just as they liked. One of the pots was quite overrun on all sides with pinks, that is to say, with the green part; shoot stood by shoot, and it said quite distinctly, “The air has cherished me, the sun has kissed me, and promised me a little flower on Sunday! a little flower on Sunday!”
And then they entered a chamber where the walls were covered with hog's leather, and printed with gold flowers.
said the walls.
And there stood easy-chairs, with such high backs, and so carved out, and with arms on both sides. “Sit down! sit down!” said they. “Ugh! how I creak; now I shall certainly get the gout, like the old clothespress, ugh!”
And then the little boy came into the room where the projecting windows were, and where the old man sat.
“I thank you for the pewter soldier, my little friend!” said the old man. “And I thank you because you come over to me.”
“Thankee! thankee!” or “cranky! cranky!” sounded from all the furniture; there was so much of it, that each article stood in the other's way, to get a look at the little boy.
In the middle of the wall hung a picture representing a beautiful lady, so young, so glad, but dressed quite as in former times, with clothes that stood quite stiff, and with powder in her hair; she neither said “thankee, thankee!” nor “cranky, cranky!” but looked with her mild eyes at the little boy, who directly asked the old man, “Where did you get her?”
“Yonder, at the broker's,” said the old man, “where there are so many pictures hanging. No one knows or cares about them, for they are all of them buried; but I knew her in by-gone days, and now she has been dead and gone these fifty years!”
Under the picture, in a glazed frame, there hung a bouquet of withered flowers; they were almost fifty years old; they looked so very old!
The pendulum of the great clock went to and fro, and the hands turned, and everything in the room became still older; but they did not observe it.
“They say at home,” said the little boy, “that you are so very, very lonely!”
“Oh!” said he. “The old thoughts, with what they may bring with them, come and visit me, and now you also come! I am very well off!”
Then he took a book with pictures in it down from the shelf; there were whole long processions and pageants, with the strangest characters, which one never sees now-a-days; soldiers like the knave of clubs, and citizens with waving flags: the tailors had theirs, with a pair of shears held by two lions—and the shoemakers theirs, without boots, but with an eagle that had two heads, for the shoemakers must have everything so that they can say, it is a pair! Yes, that was a picture book!
The old man now went into the other room to fetch preserves, apples, and nuts—yes, it was delightful over there in the old house.
“I cannot bear it any longer!” said the pewter soldier, who sat on the drawers. “It is so lonely and melancholy here! But when one has been in a family circle one cannot accustom oneself to this life! I cannot bear it any longer! The whole day is so long, and the evenings are still longer! Here it is not at all as it is over the way at your home, where your father and mother spoke so pleasantly, and where you and all your sweet children made such a delightful noise. Nay, how lonely the old man is—do you think that he gets kisses? Do you think he gets mild eyes, or a Christmas tree? He will get nothing but a grave! I can bear it no longer!”
“You must not let it grieve you so much,” said the little boy. “I find it so very delightful here, and then all the old thoughts, with what they may bring with them, they come and visit here.”
“Yes, it's all very well, but I see nothing of them, and I don't know them!” said the pewter soldier. “I cannot bear it!”
“But you must!” said the little boy.
Then in came the old man with the most pleased and happy face, the most delicious preserves, apples, and nuts, and so the little boy thought no more about the pewter soldier.
The little boy returned home happy and pleased, and weeks and days passed away, and nods were made to the old house, and from the old house, and then the little boy went over there again.
The carved trumpeters blew, “Trateratra! There is the little boy! Trateratra!” and the swords and armor on the knights' portraits rattled, and the silk gowns rustled; the hog's leather spoke, and the old chairs had the gout in their legs and rheumatism in their backs: Ugh! it was exactly like the first time, for over there one day and hour was just like another.
“I cannot bear it!” said the pewter soldier. “I have shed pewter tears! It is too melancholy! Rather let me go to the wars and lose arms and legs! It would at least be a change. I cannot bear it longer! Now, I know what it is to have a visit from one's old thoughts, with what they may bring with them! I have had a visit from mine, and you may be sure it is no pleasant thing in the end; I was at last about to jump down from the drawers.
“I saw you all over there at home so distinctly, as if you really were here; it was again that Sunday morning; all you children stood before the table and sung your Psalms, as you do every morning. You stood devoutly with folded hands; and father and mother were just as pious; and then the door was opened, and little sister Mary, who is not two years old yet, and who always dances when she hears music or singing, of whatever kind it may be, was put into the room—though she ought not to have been there—and then she began to dance, but could not keep time, because the tones were so long; and then she stood, first on the one leg, and bent her head forwards, and then on the other leg, and bent her head forwards—but all would not do. You stood very seriously all together, although it was difficult enough; but I laughed to myself, and then I fell off the table, and got a bump, which I have still—for it was not right of me to laugh. But the whole now passes before me again in thought, and everything that I have lived to see; and these are the old thoughts, with what they may bring with them.
“Tell me if you still sing on Sundays? Tell me something about little Mary! And how my comrade, the other pewter soldier, lives! Yes, he is happy enough, that's sure! I cannot bear it any longer!”
“You are given away as a present!” said the little boy. “You must remain. Can you not understand that?”
The old man now came with a drawer, in which there was much to be seen, both “tin boxes” and “balsam boxes,” old cards, so large and so gilded, such as one never sees them now. And several drawers were opened, and the piano was opened; it had landscapes on the inside of the lid, and it was so hoarse when the old man played on it! and then he hummed a song.
“Yes, she could sing that!” said he, and nodded to the portrait, which he had bought at the broker's, and the old man's eyes shone so bright!
“I will go to the wars! I will go to the wars!” shouted the pewter soldier as loud as he could, and threw himself off the drawers right down on the floor. What became of him? The old man sought, and the little boy sought; he was away, and he stayed away.
“I shall find him!” said the old man; but he never found him. The floor was too open—the pewter soldier had fallen through a crevice, and there he lay as in an open tomb.
That day passed, and the little boy went home, and that week passed, and several weeks too. The windows were quite frozen, the little boy was obliged to sit and breathe on them to get a peep-hole over to the old house, and there the snow had been blown into all the carved work and inscriptions; it lay quite up over the steps, just as if there was no one at home—nor was there any one at home—the old man was dead!
In the evening there was a hearse seen before the door, and he was borne into it in his coffin: he was now to go out into the country, to lie in his grave. He was driven out there, but no one followed; all his friends were dead, and the little boy kissed his hand to the coffin as it was driven away.
Some days afterwards there was an auction at the old house, and the little boy saw from his window how they carried the old knights and the old ladies away, the flower-pots with the long ears, the old chairs, and the old clothes-presses. Something came here, and something came there; the portrait of her who had been found at the broker's came to the broker's again; and there it hung, for no one knew her more—no one cared about the old picture.
In the spring they pulled the house down, for, as people said, it was a ruin. One could see from the street right into the room with the hog's-leather hanging, which was slashed and torn; and the green grass and leaves about the balcony hung quite wild about the falling beams. And then it was put to rights.
“That was a relief,” said the neighboring houses.
A fine house was built there, with large windows, and smooth white walls; but before it, where the old house had in fact stood, was a little garden laid out, and a wild grapevine ran up the wall of the neighboring house. Before the garden there was a large iron railing with an iron door, it looked quite splendid, and people stood still and peeped in, and the sparrows hung by scores in the vine, and chattered away at each other as well as they could, but it was not about the old house, for they could not remember it, so many years had passed—so many that the little boy had grown up to a whole man, yes, a clever man, and a pleasure to his parents; and he had just been married, and, together with his little wife, had come to live in the house here, where the garden was; and he stood by her there whilst she planted a field-flower that she found so pretty; she planted it with her little hand, and pressed the earth around it with her fingers. Oh! what was that? She had stuck herself. There sat something pointed, straight out of the soft mould.
It was—yes, guess! It was the pewter soldier, he that was lost up at the old man's, and had tumbled and turned about amongst the timber and the rubbish, and had at last laid for many years in the ground.
The young wife wiped the dirt off the soldier, first with a green leaf, and then with her fine handkerchief—it had such a delightful smell, that it was to the pewter soldier just as if he had awaked from a trance.
“Let me see him,” said the young man. He laughed, and then shook his head. “Nay, it cannot be he; but he reminds me of a story about a pewter soldier which I had when I was a little boy!” And then he told his wife about the old house, and the old man, and about the pewter soldier that he sent over to him because he was so very, very lonely; and he told it as correctly as it had really been, so that the tears came into the eyes of his young wife, on account of the old house and the old man.
“It may possibly be, however, that it is the same pewter soldier!” said she. “I will take care of it, and remember all that you have told me; but you must show me the old man's grave!”
“But I do not know it,” said he, “and no one knows it! All his friends were dead, no one took care of it, and I was then a little boy!”
“How very, very lonely he must have been!” said she.
“Very, very lonely!” said the pewter soldier. “But it is delightful not to be forgotten!”
“Delightful!” shouted something close by; but no one, except the pewter soldier, saw that it was a piece of the hog's-leather hangings; it had lost all its gilding, it looked like a piece of wet clay, but it had an opinion, and it gave it:
This the pewter soldier did not believe.
中文翻译(全文)
街上那边有一幢老房子,一幢很老很老的房子——它差不多有三百年的历史了,这只要读一读那根刻着年号的大梁就能知道:梁上除了郁金香和葎草藤蔓,还刻着一整段一整段的诗句,拼法还是从前那种老式的;每扇窗户上方,梁上都雕着一张变了形的脸。上面这一层比下面一层向外探出许多;屋檐底下正对着一个铅皮水笕,笕头是个龙脑袋;雨水本该从龙嘴里流出来,却从龙肚子里流出来,因为笕子上破了个洞。
街上其余的房子都那么新、那么齐整,窗玻璃大大的,墙面光光的,一眼就能看出它们不愿跟那座老房子打交道:它们心里多半在想:“那老朽的东西还要在街上立多久,给人当景致看?再说那些凸出来的窗户伸得那么远,从我们窗口望出去,那个方向出了什么事都看不见!台阶宽得像宫殿的台阶,高得像教堂的塔楼。铁栏杆看着就像一座老家族墓室的门,顶上还镶着铜球——真是蠢透了!”
街对面也是些又新又齐整的房子,它们的想法跟那一边一样;可正对着老房子的那扇窗里,坐着一个小男孩,脸颊红扑扑的,眼睛亮晶晶的:他偏偏最喜欢那座老房子,无论日头底下还是月亮底下都一样喜欢。当他朝对面墙上望去,望见灰泥剥落的地方,他就能坐在那里,从里面看出些再古怪不过的人形来;那墙简直就跟从前的街道一模一样,有台阶,有凸出的窗户,有尖尖的山墙;他能看见拿着长戟的士兵,看见淌着水的笕子,像龙,又像蛇。那房子真值得一看;里面住着一位老先生,穿着天鹅绒的及膝裤;他的外套上钉着大铜扣子,戴的假发一看就是真的假发。每天早上都有个老头儿来替他收拾屋子、跑腿办事;除此之外,穿天鹅绒裤子的老先生就孤零零一个人待在那座老房子里。他不时走到窗前向外张望,小男孩就朝他点点头,老先生也点点头,于是他们就成了熟人,再后来就成了朋友,虽然彼此从没说过一句话——不过那也没什么关系。小男孩听见父母说:“对面那位老先生很有钱,可他真是孤零零的,太孤单了!”
接下来的那个星期天,小男孩拿了样东西,用一张纸包好,走下楼,站在门口;等那个跑腿的老头儿走过时,他对他说——
“喂,大叔!您能替我把这个带给街对面那位老先生吗?我有两个锡兵——这是其中一个,就送给他吧,因为我知道他孤零零的,太孤单了。”
跑腿的老头儿显得很高兴,点点头,把那个锡兵拿到老房子里去了。后来那边捎来一个口信,问小男孩自己愿不愿意过去做客;他得到父母的许可,就到对面的老房子去了。
铁栏杆上的铜球比什么时候都亮;简直让人以为是特意为这次拜访擦亮的;那些雕出来的吹号手——门上确实雕着几个吹号手,站在郁金香花丛里——仿佛都在拼命地吹,腮帮子鼓得比先前圆多了。真的,他们吹着——“嗒啦嗒啦!小男孩来啦!嗒啦嗒啦!”——然后门就开了。
整条过道里挂满了画像,有披甲的骑士,也有穿绸裙的贵妇;铠甲叮当作响,绸裙窸窸窣窣!接着是一道楼梯,往上走了一大段,又往下走了一小段,然后人就到了一个小阳台上;这阳台确实破败得厉害,到处是大窟窿和长长的裂缝,可草和叶子偏偏就从这些地方长出来,因为整个外阳台、院子和墙头都爬满了青绿的蔓草,看上去就像一座花园——只不过是个阳台罢了。这里摆着些旧花盆,盆上刻着人脸和驴耳朵,盆里的花爱怎么长就怎么长。其中一只花盆四边全让石竹爬满了,我是说,让石竹的绿秧子爬满了;一棵挨着一棵,那花盆清清楚楚地说:“空气养育了我,太阳亲吻了我,还答应我在星期天开一朵小花!在星期天开一朵小花!”
随后他们走进一间屋子,四壁都蒙着猪皮,上面印着金色的花纹。
墙壁说道。
屋里摆着几把安乐椅,椅背高高的,雕工精细,两边都有扶手。“坐下吧!坐下吧!”它们说。“唉哟!我叫得多响啊;这下我准要得痛风了,就像那口老衣柜一样,唉哟!”
接着小男孩走进了那间有凸窗的屋子,老先生就坐在那里。
“谢谢你送我的锡兵,我的小朋友!”老先生说,“也谢谢你肯过来看我。”
“多谢您!多谢您!”要不就是“咯吱!咯吱!”——满屋子的家什都响了起来;东西实在太多,每一件都挡住另一件,就为了看小男孩一眼。
墙中央挂着一幅画,画的是一位美丽的夫人,那么年轻,那么快乐,穿的却全是从前式样的衣裳,硬邦邦地撑着,头发上还扑着粉;她既不说“多谢,多谢!”也不说“咯吱,咯吱!”,只是用温柔的眼睛望着小男孩;小男孩立刻问老先生:“您是从哪儿弄到她的?”
“那边,从旧货商那儿,”老先生说,“他那儿挂着好多好多的画。没人认得它们,也没人关心它们,因为它们的主人都进了坟墓;可我从前是认识她的,如今她死了、走了,已经五十年了!”
画的下方挂着一束枯萎的花,罩在玻璃框里;它们差不多有五十个年头了;看上去真是老极了!
大钟的钟摆来回摆动,指针一圈圈转着,屋里的一切都变得更老了;可他们谁也没留意。
“家里人常说,”小男孩说,“您孤零零的,太孤单了!”
“哦!”他说,“那些旧的念头,带着它们带来的东西,常来拜访我,如今你也来了!我过得很好!”
然后他从架子上取下一本有画的书;书里有长长的队列和盛大的游行,里面的人物古怪极了,如今再也见不着了;有像梅花J那样的士兵,有挥着旗子的市民:裁缝有自己的旗,上面是两头狮子抬着一把剪刀——鞋匠也有自己的旗,上面没有靴子,却有一只长着两个脑袋的鹰,因为鞋匠的什么都得成双,好让他们说:这是一对!是啊,那才叫画册呢!
老先生这时到另一间屋里去拿果酱、苹果和核桃——是啊,待在那座老房子里真是快活极了。
“我再也受不了啦!”坐在五斗柜上的锡兵说,“这儿又孤单又愁闷!一个人在家庭圈子里待过,就再也习惯不了这种日子!我再也受不了啦!白天那么长,晚上还要更长!这里跟对面你们家完全不一样,在那儿你父亲母亲说起话来那么和气,你和所有那些可爱的孩子闹出那么好听的动静。唉,这老头儿多孤单啊——你以为他有人亲吗?你以为他有人用温柔的眼睛看他,或者有一棵圣诞树吗?他得到的只有一个坟!我再也受不了啦!”
“你别为这个这么难过,”小男孩说,“我觉得这儿快活极了,再说那些旧的念头,带着它们带来的东西,都会到这儿来拜访。”
“是啊,话说得不错,可我什么也没看见,也不认得它们!”锡兵说,“我受不了!”
“可你得受着!”小男孩说。
这时老先生进来了,脸上高高兴兴、心满意足,端来最好吃的果酱、苹果和核桃,于是小男孩就把锡兵忘到脑后了。
小男孩高高兴兴、心满意足地回了家,日子一周一周、一天一天地过去,有人朝老房子点头,老房子里也朝这边点头,后来小男孩又到那边去了。
雕出来的吹号手吹了起来:“嗒啦嗒啦!小男孩来啦!嗒啦嗒啦!”骑士画像上的刀剑和铠甲叮当作响,绸裙窸窸窣窣;猪皮墙面说起话来,那些旧椅子腿上也犯了痛风,背上也害了风湿:唉哟!这跟头一回完全一样,因为那边的一天一个时辰都跟另一个一模一样。
“我受不了!”锡兵说,“我流过锡做的眼泪!这太叫人伤心了!倒不如让我去打仗,丢了胳膊、丢了腿!那至少是个变化。我再也受不了了!现在我算是明白了,让旧的念头带着它们带来的东西来拜访,是个什么滋味!我的念头就来拜访过我,你尽可以相信,到头来绝不是什么快活事;我最后差点儿就从五斗柜上跳下去了。
“我把你们在那边家里的样子看得清清楚楚,就好像你们真在这儿一样;又是那个星期天的早晨;你们这些孩子都站在桌子跟前唱圣诗,就像每天早上那样。你们虔诚地站着,双手合十;父亲母亲也一样虔诚;后来门开了,小妹妹玛丽——她还不到两岁,一听见音乐或者唱歌,不管是什么调子,总要跳起舞来——被人放了进来,虽然她本不该在那儿;她于是跳起舞来,可跟不上拍子,因为调子拖得那么长;她先是站在这条腿上,把头往前一低,然后又站在那条腿上,把头往前一低——可怎么也不成。你们大家站得一本正经,虽然这实在不容易;我却暗自好笑,笑着就从桌上摔了下来,磕了个包,到现在还有——因为我不该笑。可现在这一切又在心里从我眼前过了一遍,还有我这一辈子活过来看见的所有事情;这些就是旧的念头,带着它们带来的东西。
“告诉我,你们星期天还唱歌吗?跟我说说小玛丽吧!还有我的伙伴,另一个锡兵,他过得怎么样!是啊,他一定够快活的,这错不了!我再也受不了啦!”
“你是被当作礼物送出去的!”小男孩说,“你得留下来。这你还不明白吗?”
这时老先生端着一只抽屉过来了,里面可看的东西多着呢,有“铁皮盒子”,也有“香膏盒子”,还有旧纸牌,那么大,还烫着金,如今再也见不着这样的了。好几只抽屉都拉开了,钢琴也打开了;琴盖里面画着风景,老先生一弹,琴声沙哑得厉害!然后他哼起一支歌来。
“是啊,这支歌她会唱!”他说着,朝那幅从旧货商那儿买来的画像点了点头,老先生的眼睛亮得那么厉害!
“我要去打仗!我要去打仗!”锡兵扯着嗓子大喊,从五斗柜上跳下来,一直摔到地板上。他后来怎么样了呢?老先生找,小男孩也找;他不见了,再也没回来。
“我会找到他的!”老先生说;可他始终没找到。地板缝太大了——锡兵从缝里掉了下去,就躺在那里,像躺在一座敞开的坟里。
那一天过去了,小男孩回了家,那一周过去了,好几个星期也过去了。窗玻璃冻得严严实实,小男孩只得坐下来对着玻璃哈气,哈出一个小孔,好朝老房子那边张望;那儿的雪被风吹进所有的雕花和刻字里,堆在台阶上,堆得高高的,就好像家里没人似的——家里也确实没人了——老先生死了!
傍晚,门口停了一辆灵车,他被装进棺材抬上了车:现在他要到乡下去,躺进自己的坟里了。车子赶了出去,可没有一个人送;他的朋友都死了,灵车走的时候,小男孩朝棺材飞了一个吻。
过了几天,老房子里举行了一场拍卖,小男孩从窗口看着人们把那些老骑士、老贵妇搬走,把长着长耳朵的花盆、旧椅子、旧衣柜搬走。有的东西搬到这儿,有的搬到那儿;那幅在旧货商那儿找到的她的画像,又回到了旧货商那儿;就挂在那儿,因为再没有人认得她了——再没有人关心这幅旧画了。
春天,他们把房子拆了,因为照大家说,它已经成了废墟。从街上就能一直望进那间挂着猪皮壁衣的屋子,壁衣都被划破撕烂了;阳台四周的青草和绿叶乱糟糟地垂在将倒的梁木上。后来,这地方就被收拾利落了。
“这下可算松快了。”邻近的房子说。
那里盖起了一座漂亮的房子,窗户很大,墙又白又光;不过在房子前面,也就是老房子原先立着的地方,辟出了一个小花园,一株野葡萄藤爬上了邻家的墙。花园前面围着一道大铁栏杆,配着一扇铁门,看上去气派得很,人们会站住脚往里张望;麻雀成几十只地挂在葡萄藤上,尽它们所能叽叽喳喳地聊着,可聊的不是那座老房子,因为它们记不得它了,年头过去那么多了——多到那小男孩已经长成了一个堂堂男子,是啊,一个聪明人,父母看着就高兴;他刚刚结了婚,带着年轻的小妻子住进了这儿的房子,也就是有花园的这座;她在那里种一株她觉得很好看的野花,他就站在她身边;她用小手种下去,用手指把周围的土按实。哎哟!那是什么?她扎着自己了。土里直挺挺地冒出个尖东西。
那是——是啊,你猜呀!那是那个锡兵,就是当年在老先生家里丢了的那一个;他在木料和瓦砾里翻来滚去,最后在土里躺了好多年。
年轻的妻子把锡兵身上的泥土擦掉,先是用一片绿叶,后来又用她精致的手帕——手帕香得那么好闻,锡兵觉得就像从一场昏睡中醒了过来。
“让我看看他。”年轻人说。他笑了,随后摇摇头。“不,不会是他的;不过他倒让我想起一个锡兵的故事,那是我小时候有的一个锡兵!”于是他就把老房子、老先生,还有那个因为老先生孤零零、太孤单了而被送过去的锡兵,都讲给妻子听;他讲得跟真事一样准确,年轻的妻子听着,为了那座老房子和那位老先生,眼里涌出了泪水。
“不过,说不定这就是同一个锡兵呢!”她说,“我会好好收着他的,也会记住你讲的这一切;不过你得带我去看看那位老先生的坟!”
“可我不知道它在哪儿,”他说,“也没有人知道!他的朋友都死了,没有人照管那座坟,我那时候还是个小孩子!”
“那他该有多么孤零零、多么孤单啊!”她说。
“孤零零的,太孤单了!”锡兵说,“不过,不被人忘记,真是快活啊!”
“快活啊!”旁边有个东西嚷道;可是除了锡兵,谁也没看见那是一片猪皮壁衣;它早已失掉了全部金粉,看上去像一块湿泥巴,可它有自己的看法,而且就说出来了:
这话锡兵不信。

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